Your Face Report

AI attractiveness test

Choose a front-facing photo to check facial symmetry and proportions. You’ll get a facial harmony score with a breakdown of the measurements behind it, processed on your device.

Take a photo

Face the camera at eye level, with even light and a neutral expression. Keep your whole face in the frame.

Analyzed in your browser — never uploaded
  • —Face the camera straight on, at eye level
  • —Soft, even light — no strong shadows
  • —Relaxed, neutral expression, mouth closed
  • —Hair off the forehead and jawline; no glasses

Example result

What you’ll see

This example uses an AI-generated portrait analyzed with the same tool you can use above. Your photo is processed on your device and never uploaded.

An AI-generated example portrait with the detected landmarks, facial midline and thirds drawn over it
AI-generated portrait · not a real person
Harmony85Very close match

This score compares the proportions in your photo with this tool’s reference values. It is not a population ranking or an attractiveness rating.

Highest-scoring areaBrows97 / 100
Lowest-scoring areaEyes66 / 100

These are the highest and lowest region scores in this photo. A lower score does not mean a feature needs changing.

Symmetry94
Facial thirds97
Upper 21% (est.) · Middle 40% · Lower 39%
Facial fifths73
Eye area66
Golden ratio78
Face shapeHeart · runner-up Oval
Canthal tilt+7.0°

The method

What the score measures

Every step runs in your browser. Your photo never leaves your device.

  1. i.

    Locate facial landmarks

    We locate 478 landmarks in your browser, account for sideways head tilt using the pupils, and estimate the center line of the face.

  2. ii.

    Symmetry, thirds, fifths

    Symmetry (30%) compares matching points on each side, reflected across that midline. Thirds (25%) compares the middle and lower thirds of your face. Fifths (20%) compares five widths across the eye line.

  3. iii.

    Eyes and the golden ratio

    Eye area (15%) looks at eye spacing, canthal tilt and eye symmetry. Golden ratio (10%) compares mouth-to-nose width and lower-to-upper lip height with φ ≈ 1.618.

  4. iv.

    Combine the five scores

    • Symmetry30%
    • Facial thirds25%
    • Facial fifths20%
    • Eye area15%
    • Golden ratio10%

    The five scores are combined with fixed weights. Higher scores mean a closer match to this tool’s reference values. The references and weights are settings of the tool, not population averages.

What an attractiveness test can and can’t measure

An AI attractiveness test can compare visible facial measurements, but a harmony score does not capture how people respond to your appearance. Research on facial attractiveness has examined several measurable features:

  • Averageness. Some studies find that faces blended from several photographs receive higher ratings than many of the individual faces.
  • Symmetry. Studies have found links between symmetry and attractiveness ratings, although making a face artificially symmetrical does not consistently improve its ratings.
  • Proportions. Experiments with facial spacing show that changing proportions can affect ratings. They do not establish a single formula for an attractive face.

This tool measures proportion and symmetry from one front-facing photo. It does not assess expression in motion, voice, personal style or the context in which someone sees you.

We call the result a facial harmony score. It compares measurements with the reference values described below. The research provides context for those measurements; it does not validate this tool as a predictor of attractiveness.

How the harmony score works

The tool finds 478 landmarks in your browser, accounts for sideways head tilt using your pupils, and estimates your facial midline. It scores five components from 0 to 100 and combines them with fixed weights:

ComponentWeight
Symmetry30%
Facial thirds25%
Facial fifths20%
Eye area15%
Golden ratio10%

Higher scores mean a closer match to the tool’s reference values. These values and weights are settings of the tool, not population averages or a research-validated formula for beauty.

For ratio-based measurements such as the middle-to-lower third and lip proportions, the score peaks at the reference and decreases as the difference grows. A measurement one tolerance away scores about 82; two tolerances away scores about 46. Symmetry and fifths use a different curve that decreases as mismatch grows. The eye-area score combines tilt, spacing and symmetry.

Symmetry (30%)

We reflect matching landmarks on the left and right sides of the face across your midline and measure how far each pair is from lining up. This is done for four regions (eyes, brows, midface and the outline of the face) and averaged. The mismatch is expressed as a fraction of the distance between your pupils, so it doesn’t depend on photo size. A score of about 37 means the average mismatch is 15% of that distance.

  • Landmark
  • Mirrored from the other side
  • Fitted midline
Symmetry on the example portrait. Each gold ring is a point from one side, mirrored across the fitted midline; the closer it sits to its partner on the other side, the more symmetric that pair.

The score describes alignment in this photo. Head angle, expression and landmark estimates can all affect it. Research on symmetry and attractiveness does not make a symmetry score an overall rating of a face.

Facial thirds (25%)

The classical canon divides the face into three equal vertical sections: hairline to brow, brow to the base of the nose, and the base of the nose to the chin. Our landmarks can’t see the hairline, so we estimate the upper third and show it for reference only. The score compares the middle third with the lower third, with equal lengths (a ratio of 1.0) as the reference and a tolerance of 0.1.

Upper (est.)21%Middle40%Lower39%
Facial thirds on the example portrait, as shares of the measured length. The upper third is estimated, because the landmarks stop below the hairline.

Facial fifths (20%)

The fifths canon divides the width of the face at eye level into five equal parts, each one eye wide: from the side of the face to the outer corner of the eye, across the eye, the gap between the eyes, the other eye, and out to the other side. We measure all five widths, divide each by your average eye width and score how far, on average, they are from one eye width.

1.011.001.491.000.96
Facial fifths on the example portrait. Each number is that width divided by the average eye width; the canon is 1.00 for all five.

Eye area (15%)

Three measurements, averaged:

  • Canthal tilt, the angle from the inner to the outer corner of each eye. This tool uses an upward tilt of 4° as its reference, with a tolerance of 4°. That reference is a scoring choice, not a requirement for an attractive face.
  • Eye spacing, the gap between the inner corners compared with the width of one eye. The reference is equal (a ratio of 1.0).
  • Eye symmetry, how closely the two eyes mirror each other.
+6.6°+7.3°Eye1.00Gap1.49Eye1.00
Canthal tilt and eye spacing on the example portrait. Tilt is the angle of the gold line above the horizontal; spacing compares each width with the average eye width.

Golden ratio (10%)

The golden ratio is φ ≈ 1.618. This component compares two measurements with it: mouth width to nose width, and lower lip height to upper lip height. A difference of 20% from φ gives a score of about 82 for that ratio; the two scores are then averaged.

NoseMouthMouth ÷ nose1.12Lower ÷ upper lip1.44φ = 1.618
The two golden-ratio measurements on the example portrait: mouth width over nose width, and lower-lip height over upper-lip height.

The golden ratio is not an established universal rule for facial beauty. In one experiment on facial spacing, preferred eye-to-mouth distance was about 36% of face length, and preferred eye spacing about 46% of face width. Those findings concern specific images and measurements; they do not validate our mouth-to-nose and lip comparisons. The 10% weight used here is a product choice.

Reading your score

The overall score falls into one of five bands that describe the match to the reference values. These are labels used by this tool; they are not population percentiles or grades of attractiveness.

BandScore
Very close match85–100
Close match78–84
Moderate match68–77
Limited match55–67
Low match0–54

100 is the highest possible score. It means the measurements closely match the scoring references, not that the face is the most attractive. The relationship between proportions and preference is more complex: one study found that a blend of highly rated faces was preferred to a blend of all faces, even when its differences from the average were exaggerated.

We do not have a representative population average for this score. Free results are computed on your device and are not sent to us for statistics.

Under the result, highest-scoring area and lowest-scoring area identify the regions with the highest and lowest scores in that photo. They do not identify which feature attracts the most attention or which one needs changing.

Limitations

  • One photo, front-facing. We measure a flat image. We can’t see your profile, depth, or how your face moves.
  • Classical canons are idealizations. When thirds and fifths were measured on real young adults, most faces did not match the canons exactly. International studies also find typical proportions differ between populations.
  • The references have limits. Some comparisons use classical facial canons and the golden ratio. The same reference values are applied regardless of sex or ancestry, and they cannot represent every population or preference.
  • Landmarks are estimates. The model infers where each point sits, and soft or hidden features, such as a chin under a beard, are harder to place.

The component breakdown is more useful for understanding the result than treating the total as an overall judgment of your appearance.

How to get a fair measurement

To make results easier to compare, keep the photo conditions similar:

  1. Face the camera straight on, with your head level and your chin neither raised nor tucked.
  2. Keep a neutral expression. A smile changes the lower third, the lips and the eye area.
  3. Stand back. Close-up phone cameras exaggerate the center of the face. Hold the phone at arm’s length or have someone take the photo from a couple of meters away.
  4. Use even, front-facing light, such as a window in front of you, rather than a lamp from one side.
  5. Pull your hair off your face and remove glasses.

If two photos give different scores, compare head position, expression, camera distance and lighting before drawing a conclusion. Averaging the scores has not been validated as a more accurate result for this tool.

Sources

  1. Langlois, J. H., & Roggman, L. A. (1990). Attractive faces are only average. Psychological Science, 1(2), 115–121.
  2. Langlois, J. H., Kalakanis, L., Rubenstein, A. J., Larson, A., Hallam, M., & Smoot, M. (2000). Maxims or myths of beauty? A meta-analytic and theoretical review. Psychological Bulletin, 126(3), 390–423.
  3. Cunningham, M. R., Roberts, A. R., Barbee, A. P., Druen, P. B., & Wu, C.-H. (1995). “Their ideas of beauty are, on the whole, the same as ours”: Consistency and variability in the cross-cultural perception of female physical attractiveness. Journal of Personality and Social Psychology, 68(2), 261–279.
  4. Rhodes, G. (2006). The evolutionary psychology of facial beauty. Annual Review of Psychology, 57, 199–226.
  5. Grammer, K., & Thornhill, R. (1994). Human (Homo sapiens) facial attractiveness and sexual selection: The role of symmetry and averageness. Journal of Comparative Psychology, 108(3), 233–242.
  6. Rhodes, G., Proffitt, F., Grady, J. M., & Sumich, A. (1998). Facial symmetry and the perception of beauty. Psychonomic Bulletin & Review, 5(4), 659–669.
  7. Swaddle, J. P., & Cuthill, I. C. (1995). Asymmetry and human facial attractiveness: Symmetry may not always be beautiful. Proceedings of the Royal Society B, 261(1360), 111–116.
  8. Perrett, D. I., May, K. A., & Yoshikawa, S. (1994). Facial shape and judgements of female attractiveness. Nature, 368, 239–242.
  9. Farkas, L. G., Hreczko, T. A., Kolar, J. C., & Munro, I. R. (1985). Vertical and horizontal proportions of the face in young adult North American Caucasians: Revision of neoclassical canons. Plastic and Reconstructive Surgery, 75(3), 328–338.
  10. Farkas, L. G., Katic, M. J., Forrest, C. R., et al. (2005). International anthropometric study of facial morphology in various ethnic groups/races. Journal of Craniofacial Surgery, 16(4), 615–646.
  11. Holland, E. (2008). Marquardt’s Phi mask: Pitfalls of relying on fashion models and the golden ratio to describe a beautiful face. Aesthetic Plastic Surgery, 32(2), 200–208.
  12. Pallett, P. M., Link, S., & Lee, K. (2010). New “golden” ratios for facial beauty. Vision Research, 50(2), 149–154.
  13. Kartynnik, Y., Ablavatski, A., Grishchenko, I., & Grundmann, M. (2019). Real-time facial surface geometry from monocular video on mobile GPUs. arXiv:1907.06724.

Questions

Frequently asked questions

Is this an attractiveness score?

It is a facial harmony score based on proportions and symmetry. Research has examined how these features relate to attractiveness ratings, but this tool has not been validated to predict how attractive other people will find you.

Why is my score lower than I expected?

Some measurements may be farther from the tool’s reference values. Head angle, expression, camera distance and lighting can also affect the result. Check the component scores and photo conditions to see what contributed.

Is 100 the best score?

100 is the highest score and represents the closest match to the tool’s reference values. It does not mean the most attractive face, and a lower score does not mean a feature needs changing.

Is my photo stored?

No. The harmony score is computed on your device and the photo is never uploaded.

Is the score biased?

The score depends on the proportions and weights we chose. Some are based on classical facial canons, and the same references are used for everyone, regardless of sex or ancestry. They do not represent every population or preference.

How is the harmony score calculated?

Five components are scored from 0 to 100 and combined with fixed weights: symmetry 30%, facial thirds 25%, facial fifths 20%, eye area 15% and golden ratio 10%. Each compares measurements with the tool’s reference values. The guide explains the calculation for each component.

What is a good harmony score?

A higher score means a closer match to our reference values. The bands are very close match (85–100), close match (78–84), moderate match (68–77), limited match (55–67) and low match (0–54). These are tool-specific labels, not population percentiles or grades of attractiveness.

Is a symmetrical face more attractive?

Some studies find a link between symmetry and attractiveness ratings, but symmetry alone does not explain the ratings. Making a face artificially symmetrical has not consistently made it more attractive in experiments.

Does the golden ratio really define a beautiful face?

There is no established rule that a face must follow 1.618 to be attractive. Our tool compares two ratios with that number and gives them a combined weight of 10%. That weight is a product choice, not a research finding about the ideal contribution of the golden ratio.

What are facial thirds and fifths?

Facial thirds describe three vertical sections: forehead, midface and lower face. Facial fifths divide the width at eye level into five sections. The classical references use equal sections; this tool scores the middle-to-lower third ratio because the upper forehead is only estimated.

What is canthal tilt?

Canthal tilt is the angle from the inner to the outer corner of an eye. A positive value means the outer corner sits higher. This tool uses about 4 degrees as its scoring reference; that is a setting of the tool, not a requirement for an attractive face.

Can I improve my harmony score?

For a more consistent measurement, use a straight-on photo with a neutral expression, even lighting and the camera farther from your face. A higher score after retaking a photo may reflect those conditions rather than a change in your features. Styling can change your appearance without changing the measured proportions.

Keep going

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